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When I say "eliminate the director," I mean it on the lines of "If You See the Buddha on the Road, Kill Him!"
This means, once the seeker has reached a particular point of
development, a teacher is more likely to lead him astray than to guide
him. After that point, the seeker must create his own road and, if he
sees a teacher on that road, must eliminate him.
What I also
mean by "Director" is the "Auteur Director."
This is the kind of director most people are used to, someone who
carves every bit of the play, telling actors what they must do, how
they must do it and how they must say their lines. This is how film
directors (at least, 99% of them) still direct movies.
On
stage, however, that is stifling for the actor. Granted, in school
productions, actors are too young to be able to interpret roles on
their own. The Teacher Director must tell them
exactly how each line is to be said, the actions they must perform
while saying the lines, how they must move from point A to point B, etc.
If this form of direction continues later in life, however, the actor
isn't allowed to grow. True development of the personality occurs when
the actor learns to look at the role in the context of the scene and
the scene in the context of the play and thus, the character in the
context of the whole cast. It occurs when the actor gains the
confidence to be able to "play with" the character, trying out
different interpretations, inserting intellectual input into a creative
endeavour.
There is, of course, a kind of director who cannot
be eliminated, try as we might. This is the director who forms the "eye
of the audience" during rehearsals. This director has a vision of the
play and ensures that the actors portray that vision. If an actor
misinterprets a role, this director must step in and guide him.
However, he
cannot do this UNTIL the actor interprets the role, however wrongly.
"Eliminating the Director" is like the quest for perfection; it can
never be attained. Similarly, the director cannot actually be
eliminated. However, I think it is necessary to work towards that
elimination.
Deepak
Categories: theater, performance, drama